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[headline]Examines a range of literary responses to images drawn from the transatlantic slave trade and its aftermath Since around 2000, there has been a noticeable upsurge in critical work on the visual archive of Atlantic slavery, resulting in a host of important studies. While most of these contributions are weighted towards images created during the era of slavery itself, some critics have adopted a more historically far-reaching approach, exploring the ways in which such images live on beyond the original context of their production, circulation and consumption, returning imaginatively in different forms at different times and in different places. This book shares the fascination with the afterlives which such visual materials have enjoyed, but places the accent on how that posterity has evolved in the realms of literature, especially poetry. It focuses on transactions between texts written between the mid-1990s and 2020 and images of slavery that belong to British, American and (in one case) French traditions, as produced between c. 1779 and 1939. [bio]Carl Plasa is a Professor of English Literature in the School of English, Communication and Philosophy at Cardiff University. He has written numerous essays and articles on British, American, Caribbean and African American Literature, as well as three monographs: Slaves to Sweetness: British and Caribbean Literatures of Sugar (2009); Charlotte Brontë (2004); and Textual Politics from Slavery to Postcolonialism: Race and Identification (2000).
