Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.
Über den Autor
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.
Inhaltsverzeichnis
Foreword by Graham Johnson
Introduction
Index of Solo Opuses publlished in Brahms's Lifetime
Guide to Poet Entries
Alphabetised Poet Entries
Select Bibliography
Klappentext
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music.
