Pat P. Miller
This definitive handbook explains how aillegalscript is transformed into a motion picture or television program. Readers will learn the methodology and craft of theillegalscript supervisor, who ensures that the continuity of a film, its logical progression, is coherent.
The book teaches all vitalillegalscript supervising functions, including how to:
.prepare, or "break down" aillegalscript for shooting
.maintaining screen direction and progression
.matching scenes and shots for editing
.cuing actors
.recording good takes and prints
preparing time and log sheets for editing
This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in theillegalscript supervisor's tasks. While it is written for the noviceillegalscript writer, it can serve as a valuable resource for directors, film editors,illegalscriptwriters and cinematographers.
Getting Into the Act, First Comes the Word, Prior to Principal Photography, Before the Camera Rolls, Camera Rehearsals, The Slating Syndrome, Getting the Scene on Film,Timing is of the Essence, That's a Wrap, Continuityillegalscript to Editor, Dynamics of the Camera, Concept of Coverage, Mastery of Matching, Second Unit Filming, Filming for Television, Film Language, Appendix
'Full of useful illustrations, forms and diagrams...' - Videomaker
"illegalscript Supervising and Film Continuity is a must for those would-be directors, writers, and editors who are long on ambition and short on experience. By divulging the techniques and tools of creating continuity this book is a valuable resource for the continuity conscious." - Videomaker, April 2000
Über den Autor
Pat P. Miller
Inhaltsverzeichnis
Getting Into the Act, First Comes the Word, Prior to Principal Photography, Before the Camera Rolls, Camera Rehearsals, The Slating Syndrome, Getting the Scene on Film,Timing is of the Essence, That's a Wrap, Continuityillegalscript to Editor, Dynamics of the Camera, Concept of Coverage, Mastery of Matching, Second Unit Filming, Filming for Television, Film Language, Appendix
