Richard Shiff holds the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, where he directs the Center for the Study of Modernism. His publications include Cezanne and the End of Impressionism, Critical Terms for Art History, and Barnett Newman: A Catalogue Raisone.
In an age where art history´s questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins´s series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be.
Shiff´s turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by Rosie Bennett, Doubt is a study of the tension between practicing art and practicing criticism.
Series Preface James Elkins Introduction Rosie Bennett 1. Doubt 2. Seminar. Bibliography. Index
In an age where art history´s questions are now expected to receive answers, Richard Shiff presents a challenging alternative - embracing doubt as a critical tool and asking how particular histories of art have come to be.
"Overall, Doubt is a major contribution, both to art history and to the history of art history. Schiff's emepathy with art and artists, his subtle and intricate understanding of how thought and making are intertwined, means that it could be a contribution to contemporary practice as well." --caa.reviews
In an age where art history's questions are expected to receive answers, this work embraces doubt as a critical tool and asks how particular histories of art have come to be. It is a study of the tension between practicing art and practicing criticism.
Über den Autor
Richard Shiff holds the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, where he directs the Center for the Study of Modernism. His publications include Cezanne and the End of Impressionism, Critical Terms for Art History, and Barnett Newman: A Catalogue Raisone.
Inhaltsverzeichnis
Series Preface James Elkins Introduction Rosie Bennett 1. Doubt 2. Seminar. Bibliography. Index
Klappentext
In an age where art history's questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins's series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be.
Shiff's turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by Rosie Bennett, Doubt is a study of the tension between practicing art and practicing criticism.rn
