Mae Henderson
The essays in this volume take up the challenge of working out -- or reworking -- the problematics of the borders, the boundaries and the frameworks that structure our various and multiple notions of identity -- textual, personal, collective, generic, and disciplinary. The contributors to this volume write about subjects (and are often themselves subjects) who "refuse to occupy a single territory" -- who cross geographical, cultural, national, linguistic, generic, specular and disciplinary borders.
Essays by Kathryn Hellerstein, Anita Goldman, Jane Marcus and Scott Malcomson exlpore the semiotics of exile and the problem of its representation in the lives and writings of individual aritists and intellectuals. Autobiographical criticism, as represented in the essays by Nancy Miller and Sara Suleri, enlargess our conventional notions of what consitutes literature in general and criticism in particular.
Introduction: Borders, Boundaries, and Frame(work)s, Mae G. Henderson; Part I Crossing Borders: Exile and Language; Chapter 1 Bonding and Bondage: Nancy Cunard and the Making of the Negro Anthology, Jane Marcus; Chapter 2 In Exile in the Mother Tongue: Yiddish and the Woman Poet, Kathryn Hellerstein; Chapter 3 Comparative Identities: Exile in the Writings of Frantz Fanon and W. E. B. Du Bois, Anita Haya Goldman; Chapter 4 Disco Dancing in Bulgaria, Scott L. Malcomson; Part II Blurring Boundaries: Autobiography and Criticism; Chapter 5 Our Classes, Ourselves: Maternal Legacies and Cultural Criticism, Nancy K. Miller; Chapter 6 Criticism and Its Alterity, Sara Suleri; Part III Breaking Frame(Work)s: Popular Culture and Cultural Studies; Chapter 7 Don´t Talk with Your Eyes Closed: Caught in the Hollywood Gun Sights, Wahneema Lubiano; Chapter 8 Cultural Studies/Black Studies, Manthia Diawara;
The essays in this volume focus on the problematics of the borders, the boundaries and the frameworks that structure our various and multiple notions of identity - textual, personal, collective, generic, and disciplinary.
Über den Autor
Mae Henderson
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