This book offers an account of an unprecedented North American study of contemporary female and male strip shows. It particularly focuses on the contradictory sex roles, cultural positions, and performance practices of 'straight' strip shows during their second heyday in the early 1990s.
Katherine Liepe-Levinson's research took her to over seventy different strip bars, clubs, theatres and sex emporiums ranging from elaborate lap-dancing and couch-dancing 'gentlemen's' clubs in New York, Houston, and San Francisco; to Peoria's onetime duplex cabaret where women strip for men downstairs, and men for women upstairs; to the nightclubs of Montreal where female and male performers displayed the 'Full Monty'.
Liepe-Levinson's intriguing, comprehensive study concentrates on the cultural and theatrical elements of the strip shows themselves including the geographic locations and interior designs of the clubs, the choreography and costumes of the dancers and the all-important participation of the audience. She draws upon a variety of methodologies as well as interviews with performers to explore how the strip show's cultural and theatrical aspects simultaneously uphold and break traditional sex roles. Her findings readily complicate several of the most prominent and prevalent theories about sexual representation, gender and desire.
This book offers an account of an unprecedented North American study of contemporary female and male strip shows. It particularly focuses on the contradictory sex roles, cultural positions, and performance practices of 'straight' strip shows during their second heyday in the early 1990s.Katherine Liepe-Levinson's research took her to over seventy different strip bars, clubs, theatres and sex emporiums ranging from elaborate lap-dancing and couch-dancing 'gentlemen's' clubs in New York, Houston, and San Francisco; to Peoria's onetime duplex cabaret where women strip for men downstairs, and men for women upstairs; to the nightclubs of Montreal where female and male performers displayed the 'Full Monty'.Liepe-Levinson's intriguing, comprehensive study concentrates on the cultural and theatrical elements of the strip shows themselves including the geographic locations and interior designs of the clubs, the choreography and costumes of the dancers and the all-important participation of the audience. She draws upon a variety of methodologies as well as interviews with performers to explore how the strip show's cultural and theatrical aspects simultaneously uphold and break traditional sex roles. Her findings readily complicate several of the most prominent and prevalent theories about sexual representation, gender and desire.
List of illustrations, Acknowledgements, Introduction: Strip show: Performances of gender and desire, 1 Urban locations of desire: A tale of five cities, 2 Interiors, 3 Costume dramas and sexual subjectivity, 4 Choreography I: The basic moves, 5 Choreography II: Structure, pleasure, and "confessional” narratives of the body, 6 Performing spectators: The pleasure of mimetic jeopardy, 7 Epilogue as intermezzo: The saga of the strip show, or the battles over sexual representation rage on..., Appendix, Notes, Select bibliography, Index
Katherine Liepe-Levinson has spent three years researching heterosexual female and male striptease in North America: this is the first full length theoretically informed study of striptease.
'Insightful, informative, and as provocative as the art form it considers. Strip Show is a refreshing book, which seeks to illuminate a subject too often avoided or misunderstood, highlighting the professional theatricality of some of the world's most daring performers.' - Neil Eckersley, Manchester on Stage
Über den Autor
Katherine Liepe-Levinson
Inhaltsverzeichnis
List of illustrations, Acknowledgements, Introduction: Strip show: Performances of gender and desire, 1 Urban locations of desire: A tale of five cities, 2 Interiors, 3 Costume dramas and sexual subjectivity, 4 Choreography I: The basic moves, 5 Choreography II: Structure, pleasure, and "confessional" narratives of the body, 6 Performing spectators: The pleasure of mimetic jeopardy, 7 Epilogue as intermezzo: The saga of the strip show, or the battles over sexual representation rage on..., Appendix, Notes, Select bibliography, Index
