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Chinua Achebe (1930-2013) was born in Nigeria. Widely considered to be the father of modern African literature, he is best known for his masterful African Trilogy, consisting of Things Fall Apart, Arrow of God, and No Longer at Ease. The trilogy tells the story of a single Nigerian community over three generations from first colonial contact to urban migration and the breakdown of traditional cultures. He is also the author of Anthills of the Savannah, A Man of the People, Girls at War and Other Stories, Home and Exile, Hopes and Impediments, Collected Poems, The Education of a British-Protected Child, Chike and the River, and There Was a Country. He was the David and Marianna Fisher University Professor and Professor of Africana Studies at Brown University and, for more than fifteen years, was the Charles P. Stevenson Jr. Professor of Languages and Literature at Bard College. Achebe was the recipient of the Nigerian National Merit Award, Nigeria's highest award for intellectual achievement. In 2007, Achebe was awarded the Man Booker International Prize for lifetime achievement.
A classic story of moral struggle in an age of turbulent social change and the final book in Chinua Achebe's The African Trilogy
When Obi Okonkwo, grandson of Okonkwo, the main character in Things Fall Apart returns to Nigeria from England in the 1950s, his foreign education separates him from his African roots. No Longer at Ease, the third and concluding novel in Chinua Achebe's The African Trilogy, depicts the uncertainties that beset the nation of Nigeria, as independence from colonial rule loomed near. In Obi Okonkwo's experiences, the ambiguities, pitfalls, and temptations of a rapidly evolving society are revealed. He is part of a ruling Nigerian elite whose corruption he finds repugnant. His fate, however, overtakes him as he finds himself trapped between the expectation of his family, his village-both representations of the traditional world of his ancestors-and the colonial world. A story of a man lost in cultural limbo, and a nation entering a new age of disillusionment, No Longer at Ease is a powerful metaphor for his generation of young Nigerians.