Edward Gallafent teaches Film Studies at the University of Warwick, UK. He is the author of Clint Eastwood: Actor and Director (1994), Astaire and Rogers (2000) and Quentin Tarantino (2006). He is a member of the Editorial Board of the online publication Movie: A Journal of Film Criticism.
We are so used to images of words that it is easy to ignore the different ways in which they work in films. This book explores both the letters that come in the post and the many other kinds that are offered to us on screen.
Table of Contents List of Figures Acknowledgements 1. Introduction: Letter from an Unknown Woman 2. Inillegalscription and Erasure in All This, and Heaven Too 3. Of Lessons and of Love: The Man who Shot Liberty Valance 4. Into The Wild: The New Unreadable America 5. The Reader: Embracing Reading, Denying Writing 6. Conclusion: The Intimacy of Writing Bibliography Index
Edward Gallafent teaches Film Studies at the University of Warwick, UK. He is the author of Clint Eastwood: Actor and Director (1994), Astaire and Rogers (2000) and Quentin Tarantino (2006). He is a member of the Editorial Board of the online publication Movie: A Journal of Film Criticism.
Über den Autor
Edward Gallafent teaches Film Studies at the University of Warwick, UK. He is the author of Clint Eastwood: Actor and Director (1994), Astaire and Rogers (2000) and Quentin Tarantino (2006). He is a member of the Editorial Board of the online publication Movie: A Journal of Film Criticism.
Inhaltsverzeichnis
Table of Contents List of Figures Acknowledgements 1. Introduction: Letter from an Unknown Woman 2. Inillegalscription and Erasure in All This, and Heaven Too 3. Of Lessons and of Love: The Man who Shot Liberty Valance 4. Into The Wild: The New Unreadable America 5. The Reader: Embracing Reading, Denying Writing 6. Conclusion: The Intimacy of Writing Bibliography Index
Klappentext
We are so used to images of words that it is easy to ignore the different ways in which they work in films. This book explores both the letters that come in the post and the many other kinds that are offered to us on screen.
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