This book marks a major new reassessment of Camus's writing investigating the nature and philosophical origins of Camus's thinking on 'authenticity' and 'the absurd' as these notions are expressed in The Myth of Sisyphus and The Outsider. It shows that these books are the product not only of a literary figure, but of a genuine philosopher as well. Moreover, McBride provides a complete English-language translation of Camus's Mtaphysique chrtienne et Noplatonisme and underlines the importance of this study for the understanding of the early Camus.
This book marks a major new reassessment of Camus's writing investigating the nature and philosophical origins of Camus's thinking on 'authenticity' and 'the absurd' as these notions are expressed in The Myth of Sisyphus and The Outsider. It shows that these books are the product not only of a literary figure, but of a genuine philosopher as well. Moreover, McBride provides a complete English-language translation of Camus's Mtaphysique chrtienne et Noplatonisme and underlines the importance of this study for the understanding of the early Camus.
Inhaltsverzeichnis
Part 1 The absurd and its origins: the absurd in the early works; the influence of Nietzsche; St Augustine - the place of happiness. Part 2 Authenticity: authenticity in the early works; authenticity in the philosophy of Nietzsche; authenticity - an evaluation. Part 3 Christian metaphysics: introductory comments; "Christian Metaphysics and Neoplatonism" by Albert Camus.
Klappentext
This book marks a major new reassessment of Camus's writing investigating the nature and philosophical origins of Camus's thinking on 'authenticity' and 'the absurd' as these notions are expressed in The Myth of Sisyphus and The Outsider. It shows that these books are the product not only of a literary figure, but of a genuine philosopher as well. Moreover, McBride provides a complete English-language translation of Camus's Mtaphysique chrtienne et Noplatonisme and underlines the importance of this study for the understanding of the early Camus.
