Western scholars have not lost any of their fascination for East German culture. Cinema in particular continues to attract interest. This volume, the first one in English, traces the development of the main institution, the state-sponsored Deutsche Film Anstalt (DEFA), which was primarily responsible for film production in the former GDR from 1946.
Über den Autor
nSeán Allan is senior Lecturer in German Studies at the University of Warwick.
Inhaltsverzeichnis
nAbbreviations
nList of Illustrations
nPreface
n
nChapter 1. DEFA: An Historical Overview
nSeán Allan
n
nChapter 2. DEFA and the Traditions of International Cinema
nBarton Byg
n
nChapter 3. 'Letting the Genie out of the Bottle': DEFA Film-Makers and Film und Fernsehen
nRosemary Stott
n
nChapter 4. The Anti-Fascist Past in DEFA Films
nChristiane Mückenberger
n
nChapter 5. Discussion with Kurt Maetzig
nMartin Brady
n
nChapter 6. Rebels with a Cause: The Development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase
nHorst Claus
n
nChapter 7. DEFA: A Personal View
nWolfgang Kohlhaase
n
nChapter 8. Representations of Work in the Forbidden DEFA Films of 1965
nKaren Ruoff Kramer
n
nChapter 9. Censorship and the Law: The Case of Das Kaninchen bin ich (I am the Rabbit)
nStefan Soldovieri
n
nChapter 10. Paths of Discovery: The Films of Konrad Wolf
nAnthony S. Coulson
n
nChapter 11. From Models to Misfits: Women in the DEFA Films of the 1970s and 1980s
nAndrea Rinke
n
nChapter 12. The Concept of 'Heimat-DGR' in DEFA Feature Films
nHarry Blunk
n
nChapter 13. The Re-evaluation of Goethe and the Classical Tradition in the Films of Egon Günther and Siegfried Kühn
nDaniella Berghahn
n
nChapter 14. Idealism takes on the Establishment: Social Criticism in Roland Gräf's Film Adaptations of Märkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The Tango Player)
nDetlef Gwosc
n
nChapter 15. The Documentary Work of Jürgen Böttcher: A Retrospective
nRichard Kilborn
n
nChapter 16. Documenting the Wende: The Films of Andreas Voigt
nHelen Hughes
n
nNotes on Contributors
n
nAppendix: Research Sources for East German Cinema
n
nSelect Bibliography
nIndex
Klappentext
". . . the lucid style of all contributions . . . makes this volume an accessible read to students . . . this volume has also the bonus of offering an excellent appendix on sources for future research . . . this collection of essays illustrates precisely why the quality of DEFA film-making should not be confined to the archives of history." - Journal of European Areas Studies n"A useful appendix provides research sources. Written in clear prose, these essays should interest undergraduates and generalists as well as scholars and faculty." - Humanities nWestern scholars have not lost any of their fascination for East German culture. Cinema in particular continues to attract interest. This volume, the first one in English, traces the development of the main institution, the state-sponsored Deutsche Film Anstalt (DEFA), which was primarily responsible for film production in the former GDR from 1946, ceasing to exist in 1992. Although largely ignored outside the former GDR, the DEFA produced anumber of excellent films andillegalscriptwriters that are examined here for the first time. This volume analyzes the representation of fascism and anti-fascism in the cinema of the 1940s and 1950s, the conflicts between the state and the film-makers of the 1960s, and the social-political criticism in the 1970s and early 1980s. Other key issues that arise from this comprehensive look at DEFA include its representation of women, the concept of ""Heimat,"" the reception of the classical heritage, and the relation of DEFA cinema to other European film traditions.The comprehensive bibliography and a list of research sources on East German cinema make this volume an indispensable tool for students and scholars of the media. nSéan Allan is senior Lecturer in German Studies at the University of Warwick. nJohn Sandford is Professor of German Studies at the University of Reading.
