Introduction.- Pitch Perception.- Tonality.- Dynamical Approaches to Music.- Tempo and Rhythm.- Perceiving and Recognizing Melodies.- Musical Structure and Emotion.- Developmental Aspects of Music Perception.- Music and the Brain.- Conclusion.
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Provides a comprehensive overview of issues confronted by researchers in music perception/cognition
First unifying volume on music perception
Chapters written by leading researchers in the field.