The launch of a major new literary voice in Irish/British fiction: set in 1980s Dublin and London, The Fields tells the vividly evocative story of Jim Finnegan's unfairly interrupted adolescence and is one of the Waterstones 11 for 2013, a list of the chain's best fiction debuts.
I slept right through to the next day. Missed the funeral and everything. Mam said it was just as well. Would've been too upsetting. I think of him now, though. Right at this moment. Here in this kitchen. And I wonder if it could've been different.
Dublin, 1984: Ireland is a divided country, the Parish Priest remains a figure of immense authority and Jim Finnegan is thirteen years old, the youngest in a family of five sisters. Life in Jim's world consists of dealing with the helter-skelter intensity of his rumbustious family, taking breakneck bike rides with his best friend, and quietly coveting the local girls from afar. But after a drunken yet delicate rendition of 'The Fields of Athenry' at the Donohues' raucous annual party, Jim captures both the attention of the beautiful Saidhbh Donohue and the unwanted desires of the devious and dangerous Father Luke O'Culigeen.
Bounced between his growing love for Saidhbh and his need to avoid the dreaded O'Culigeen, Jim's life starts to unravel. He and Saidhbh take a ferry for a clandestine trip to London that has dark and difficult repercussions, forcing Jim to look for the solution to all his problems in some very unusual places.
The Fields is an unforgettable story of an extraordinary character: Jim's voice leaps off the page and straight into the reader's heart, as he grapples with his unfairly interrupted adolescence. Lyrical, funny, profoundly original and endlessly inventive, it is a brilliant debut from a remarkable new voice.
A fabulous first novel . . . beautifully observed . . . very funny indeed Tablet
Über den Autor
Kevin Maher was born and brought up in Dublin, moving to London in 1994 to begin a career in journalism. He wrote for the Guardian, the Observer and Time Out and was film editor of the Face until 2002, before joining The Times where for the last eight years he has been a feature writer, critic and columnist.
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