Autor/Autorin: John Elderfield
John Elderfield (In the Studio: Paintings), a Consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective, and the more specialized Manet and the Execution of Maximilian and Matisse: Radical Invention, 1913–1917.
Autor/Autorin: Peter Galassi
Peter Galassi (In the Studio: Photographs) retired from The Museum of Modern Art in 2011 after thirty years at the museum, including twenty as Chief Curator of Photography. He has devoted exhibitions and publications to the work of Henri Cartier-Bresson, Roy DeCarava, Philip-Lorca diCorcia, Walker Evans, Lee Friedlander, Andreas Gursky, Alexander Rodchenko, Cindy Sherman, and Jeff Wall, among others.
A publishing collaboration between Gagosian Gallery and Phaidon. An in-depth study of painters´ and
photographers´ studios with examples from the sixteenth through the twentieth centuries.
Introductory essays and catalogue entries on individual works by two experts in their respective fields—John Elderfield for In the Studio: Paintings and Peter Galassi for In the Studio: Photographs.
An invaluable and unprecedented art historical resource that will also appeal to a general audience
The slipcased two-book set accompanies simultaneous exhibitions, one each on painting and photography.
A publishing collaboration between Gagosian Gallery and Phaidon. An in-depth study of painters' andphotographers' studios with examples from the sixteenth through the twentieth centuries.Introductory essays and catalogue entries on individual works by two experts in their respective fields-John Elderfield for In the Studio: Paintings and Peter Galassi for In the Studio: Photographs.An invaluable and unprecedented art historical resource that will also appeal to a general audienceThe slipcased two-book set accompanies simultaneous exhibitions, one each on painting and photography.
John Elderfield (In the Studio: Paintings), a Consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective, and the more specialized Manet and the Execution of Maximilian and Matisse: Radical Invention, 1913-1917.
Peter Galassi (In the Studio: Photographs) retired from The Museum of Modern Art in 2011 after thirty years at the museum, including twenty as Chief Curator of Photography. He has devoted exhibitions and publications to the work of Henri Cartier-Bresson, Roy DeCarava, Philip-Lorca diCorcia, Walker Evans, Lee Friedlander, Andreas Gursky, Alexander Rodchenko, Cindy Sherman, and Jeff Wall, among others.
Über den Autor
John Elderfield (In the Studio: Paintings), a Consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective, and the more specialized Manet and the Execution of Maximilian and Matisse: Radical Invention, 1913-1917.
Peter Galassi (In the Studio: Photographs) retired from The Museum of Modern Art in 2011 after thirty years at the museum, including twenty as Chief Curator of Photography. He has devoted exhibitions and publications to the work of Henri Cartier-Bresson, Roy DeCarava, Philip-Lorca diCorcia, Walker Evans, Lee Friedlander, Andreas Gursky, Alexander Rodchenko, Cindy Sherman, and Jeff Wall, among others.
Klappentext
A publishing collaboration between Gagosian Gallery and Phaidon. An in-depth study of painters' and
photographers' studios with examples from the sixteenth through the twentieth centuries.
Introductory essays and catalogue entries on individual works by two experts in their respective fields-John Elderfield for In the Studio: Paintings and Peter Galassi for In the Studio: Photographs.
An invaluable and unprecedented art historical resource that will also appeal to a general audience
The slipcased two-book set accompanies simultaneous exhibitions, one each on painting and photography.
