Über den Autor
Raymond Foery is professor of communications at Quinnipiac University and founder of their media production program. He also founded and edited a New York arts journal, The Downtown Review.
Inhaltsverzeichnis
Acknowledgments
Prologue: Over the Atlantic and Down the Thames
Chapter One: Hitchcock in 1970: The Lion in Waiting
Chapter Two: Property Values: The Hitchcock Standards and the First ¿Frenzy¿
Chapter Three: Working with Writers: Hitchcock and the Preparation of the Scenario
Chapter Four: Working with Another Sleuth: Hitchcock and Anthony Shaffer
Chapter Five: Brief Inter-title: Looking for a Lost London
Chapter Six: Cattle Calls: Ruminating over a Cast
Chapter Seven: The 13-week Production: Mornings and Afternoons on the Set
Chapter Eight: Shooting the Signature Sequences, Part I: Hitchcock as a Master of Montage
Chapter Nine: Shooting the Signature Sequences, Part II: Hitchcock as the master of Mise-en-scene and the Moving Camera
Chapter Ten: Brief Inter-title: Looking for a Lost Partner OR ¿Hitchcock in Love¿
Chapter Eleven: Adventures in Post-production
Chapter Twelve: Releasing the Film: Creating a Frenzy around Frenzy
Chapter Thirteen: Critical Acclaim and Box-office Redemption
Chapter Fourteen: The Response from the Academy
Chapter Fifteen: Hitchcock and Women; Hitch and His Women
Chapter Sixteen: Forty Years Later
Postillegalscript: Becoming Sir Alfred
Appendix A: Frenzy Cast and Crew
Appendix B: Frenzy Scene List
Works Cited
About the Author
Klappentext
In Alfred Hitchcock's Frenzy: The Last Masterpiece, Raymond Foery recounts the history-writing, pre-production, casting, shooting, post-production, and promotion-of this great work, and combines the history of the production process with an ongoing account of how this particular film relates to Hitchcock's other works. Foery also discusses the reactions to Frenzy by critics and scholars, while examining Hitchcock's-and the film's-place in the world of film history 40 years later. Featuring original material relating to the making of Frenzy and previously unpublished information from the Hitchcock archives, this book will be of interest to film scholars and millions of Alfred Hitchcock fans.
