Negotiating Gender and Sexuality in Contemporary Turkey is an essential tool for scholars and students of Middle Eastern literature, Turkish literature and culture, gender and sexuality studies, modern and postmodern literature, postcolonial and feminist literature and studies, cultural studies, religious studies, and women's studies.
Negotiating Gender and Sexuality in Contemporary Turkey is an essential tool for scholars and students of Middle Eastern literature, Turkish literature and culture, gender and sexuality studies, modern and postmodern literature, postcolonial and feminist literature and studies, cultural studies, religious studies, and women's studies.
Turkey is often visualized as a modern nation-state having a perfect balance of Eastern and Western cultural mores and traditions within dominant ideological constructions and representations, but on closer inspection, one can detect conflicts and contradictions within various texts - particularly in regards to depictions of gender and sexual identity.
Upon its foundation as a nation, Turkey embarked on a state-centered, elite-driven path toward modernization and Westernization while also seeking to produce a monolithic culture. At the time, it was widely believed that Turkey could not rank among modern, Western countries without the emancipation of women. As a result of the founding of the Republic and Turkey's quest for a unified culture, women were granted a number of legal rights and enjoined to take up their place in the public sphere.
In recent years, this model of state-centered secular modernity and state feminism has come under intense scrutiny and criticism as Islamists, Kurds, feminists, and others demand their claims for recognition and force a rethinking of current understandings of Turkish identity and subjectivity, specifically regarding gender and the place and role of women in society. These controversies, contradictions, and ambiguities are reflected in women's lives and are waged by various factions over women's bodies within ideological constructions of identity and this study seeks to examine these disjunctures and contradictions as reflected in modern Turkish literature and culture.
Negotiating Gender and Sexuality in Contemporary Turkey is an essential tool for scholars and students of Middle Eastern literature, Turkish literature and culture, gender and sexuality studies, modern and postmodern literature, postcolonial and feminist literature and studies, cultural studies, religious studies, and women's studies and seeks to place a microscopic view on a marginalized and embattled group.
Contents: Sehnaz Sismanoglu Simsek: Foreword - Jaspal Kaur Singh/ Mary Lou O'Neil: Introduction - Keya Anjaria: Rethinking Istanbul: Women and the City in Perihan Magden's
Two Girls - Sukanya Gupta: Negotiating the Female Self in Post 1960s Istanbul: The Representation of Women in Three Turkish Short Stories - Deniz Gündogan Ibrisim: Dersim's Spectral Female Heritage: Queering «Once Upon a Time» - Mary Lou O'Neil: Wicked Witches: The Representation of Foreign Women on Turkish Television - Jaspal Kaur Singh: (Post)Modernity, Diaspora, and Gender in Turkish Literature: Narrative Disjuncture and Ambiguities in Elif Shafak's
Bastard of Istanbul - Spring Ulmer: Solidarity under Winter Suns: Reading Asli Erdogan across Genres and against Nationalisms.
Jaspal Kaur Singh, Professor of English Literature at Northern Michigan University (NMU), earned her PhD in comparative literature from the University of Oregon (1998). She received the Fulbright Teaching and Research Award (2012-2013), the Peter White Award and the Distinguished Faculty Award at NMU (2013-2014; 2009-2010), and the Rockefeller Foundation Postdoctoral Research Fellow at UCLA (1998-1999). Dr. Singh is the author of
Representation and Resistance: Indian and African Women's Texts at Home and in the Diaspora (2008), co-editor of
Indian Writers: Transnationalisms and Diasporas (Lang, 2010) and
Trauma, Resistance, Reconciliation in Post-1994 South African Writing (Lang, 2010), and assistant editor of
Voice on the Water: Great Lakes Native America Now (2011).
Mary Lou O'Neil is Associate Professor of Political Science and the Director of the Gender and Women's Studies Center at Kadir Has University. She earned her PhD in American studies from the University of Kansas (2000). Dr. O'Neil has published articles in
European Journal of Women's Studies, Fashion Theory, American Studies International Journal of Women's Studies, Feminist Media Studies, Asian Women, and
Turkish Studies.
Über den Autor
Jaspal Kaur Singh, Professor of English Literature at Northern Michigan University (NMU), earned her PhD in comparative literature from the University of Oregon (1998). She received the Fulbright Teaching and Research Award (2012-2013), the Peter White Award and the Distinguished Faculty Award at NMU (2013-2014; 2009-2010), and the Rockefeller Foundation Postdoctoral Research Fellow at UCLA (1998-1999). Dr. Singh is the author of Representation and Resistance: Indian and African Women's Texts at Home and in the Diaspora (2008), co-editor of Indian Writers: Transnationalisms and Diasporas (Lang, 2010) and Trauma, Resistance, Reconciliation in Post-1994 South African Writing (Lang, 2010), and assistant editor of Voice on the Water: Great Lakes Native America Now (2011).
Mary Lou O'Neil is Associate Professor of Political Science and the Director of the Gender and Women's Studies Center at Kadir Has University. She earned her PhD in American studies from the University of Kansas (2000). Dr. O'Neil has published articles in European Journal of Women's Studies, Fashion Theory, American Studies International Journal of Women's Studies, Feminist Media Studies, Asian Women, and Turkish Studies.
Inhaltsverzeichnis
Contents: Sehnaz Sismanoglu Simsek: Foreword - Jaspal Kaur Singh/ Mary Lou O'Neil: Introduction - Keya Anjaria: Rethinking Istanbul: Women and the City in Perihan Magden's Two Girls - Sukanya Gupta: Negotiating the Female Self in Post 1960s Istanbul: The Representation of Women in Three Turkish Short Stories - Deniz Gündogan Ibrisim: Dersim's Spectral Female Heritage: Queering «Once Upon a Time» - Mary Lou O'Neil: Wicked Witches: The Representation of Foreign Women on Turkish Television - Jaspal Kaur Singh: (Post)Modernity, Diaspora, and Gender in Turkish Literature: Narrative Disjuncture and Ambiguities in Elif Shafak's Bastard of Istanbul - Spring Ulmer: Solidarity under Winter Suns: Reading Asli Erdogan across Genres and against Nationalisms.
Klappentext
Turkey is often visualized as a modern nation-state having a perfect balance of Eastern and Western cultural mores and traditions within dominant ideological constructions and representations, but on closer inspection, one can detect conflicts and contradictions within various texts ¿ particularly in regards to depictions of gender and sexual identity.n Upon its foundation as a nation, Turkey embarked on a state-centered, elite-driven path toward modernization and Westernization while also seeking to produce a monolithic culture. At the time, it was widely believed that Turkey could not rank among modern, Western countries without the emancipation of women. As a result of the founding of the Republic and Turkey¿s quest for a unified culture, women were granted a number of legal rights and enjoined to take up their place in the public sphere.n In recent years, this model of state-centered secular modernity and state feminism has come under intense scrutiny and criticism as Islamists, Kurds, feminists, and others demand their claims for recognition and force a rethinking of current understandings of Turkish identity and subjectivity, specifically regarding gender and the place and role of women in society. These controversies, contradictions, and ambiguities are reflected in women¿s lives and are waged by various factions over women¿s bodies within ideological constructions of identity and this study seeks to examine these disjunctures and contradictions as reflected in modern Turkish literature and culture. n Negotiating Gender and Sexuality in Contemporary Turkey is an essential tool for scholars and students of Middle Eastern literature, Turkish literature and culture, gender and sexuality studies, modern and postmodern literature, postcolonial and feminist literature and studies, cultural studies, religious studies, and women¿s studies and seeks to place a microscopic view on a marginalized and embattled group.
